Kondapalli toy making is a 400-year-old art form that is indigenous to the quaint village of Kondapalli. These toys are often made to represent aspects of rural India, Hindu deities or much simpler things like birds, animals, fruits, and vegetables. They are iconic with their brightly painted surfaces and they have an earthy and rustic aesthetic which is characteristic of such carefully handmade products.
The toy making process is elaborate. Firstly, a very specific wood called Tella Poniki is used. The wooden blocks from the tree are then carved into rough shapes. These shapes are covered in a special paste made of tamarind, wood, and sawdust. Once the correct shape is given and the paste has dried up, they are coloured in vibrant hues. The colours are made entirely with natural materials like marigold flowers for yellow, pomegranate for deep red and palm leaves for peach. The entire process uses natural materials which are locally sourced. In the recent past, enamel paints are also being used to make the colours more intense.
The art has survived for so long because it has existed as a family business and the skill to make these toys is still a matter of pride today. Parents would teach the kids and the roles were traditionally decided by gender. Boys and men would do the wood chopping, carving and smoothening. The girls and women would do the priming, painting, and finishing.
Although the toys themselves are endearing, the fact that this art form has survived for more than four centuries is an achievement in itself. The present generation of toy makers enjoys strong support from the government and TATA Trusts who are investing to promote the art. Not too long ago, a toymaker would have to struggle to get three square meals a day. Children would often have no choice but to forego school and help their parents to make more toys. As a consequence, toy making was the only skill in which the children were trained.
These toys which look so vivid and cheery came from the hands of people who have suffered generations to keep the trade alive.The recent push from the Andhra Pradesh government means that the toy makers no longer have to worry about being able to afford basic necessities. In 2007-2008, the Kondapalli toys were granted a Geographical identification tag which meant no other entity outside Kondapalli can make these products and claim originality. This paved the way for higher exports. The recent eMahila initiative, which is a combined effort of the Andhra Pradesh Government and TATA Trusts, has made their beautiful toys available on an e-commerce platform. This platform has successfully increased the demand for the toys by engaging a wider audience. Sri Kanakadurga DWCRA is the women Self Help Group (SHG) that makes the toys that are sold on this platform. These women who were once timid and unsure about themselves now see themselves in a different light. They are entrepreneurs, pioneers of a new generation of toy makers.
The recent push from the Andhra Pradesh government means that the toy makers no longer have to worry about being able to afford basic necessities. In 2007-2008, the Kondapalli toys were granted a Geographical identification tag which meant no other entity outside Kondapalli can make these products and claim originality. This paved the way for higher exports. The recent eMahila initiative, which is a combined effort of the Andhra Pradesh Government and TATA Trusts, has made their beautiful toys available on an
e-commerce platform. This platform has successfully increased the demand for the toys by engaging a wider audience. Sri Kanakadurga
DWCRA is the women Self Help Group (SHG) that makes the toys that are sold on this platform. These women who were once timid and unsure about themselves now see themselves in a different light. They are entrepreneurs, pioneers of a new generation of toy makers.
Kondapalli Toys, Kondapalli Dolls, Kondapalli Bommalu www.emahila.org